ﾃﾞﾋﾞｭｰｱﾙﾊﾞﾑ､"Gravity=Love"から2年振りのTim WijnatのOvil Biancaの2nd｡Pimmon, Fennesz, Markus Schmicklerなどのような､ｴﾚｸﾄﾘｯｸ･ﾉｲｽﾞを基本としていて､微音系から､ｱｸﾃｨｳﾞなものまで幅広くやっていて､さらにはこの辺のｱｰﾃｨｽﾄにはあまり無いﾘｽﾞﾑを捕らえることのできる曲もあり､Jurgen De Blondeの変名で当ﾚｰﾍﾞﾙからﾘﾘｰｽしているKohn辺りにも近いです｡
info:
It took Tim Wijnant two years to complete the successor of his debut-album Gravity=Love. All this resulted in a stream of ideas, influences which were put into this new album. This is a mature CD ranging him amongst the likes of Pimmon/Fennesz/Markus Schmickler. The Wide Album is a progressing work. Started out by collecting 'sounds' from different sources. Manipulated, and processed into rough tracks and fitted alongside one another until a definite version was completed and fine-tuned as a whole. An album, which will not only appeal, electronica-fans worldwide, but also the more adventurous pop-listener and the avant-garde scene. It's a musical history trip almost without the use of conventional instruments. Ovil Bianca is one of the few electronica-artists whom still discover new territories within a listenable concept. This is probably a result to his statement about being influenced by Syd Barrett, Dj Tiesto, Bonzai Records and Wesley Willis. These influences say off course more on the mental state of Ovil Bianca then on actual musical references of this CD.
