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【an anthology of chinese experimental music 1992-2008/VA-4CD-[sr265CD]】
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世界のあらゆる実験音楽シーンにスポットを当てる sub rosa ですが、今回、中国、香港、台湾、シンガポール、マレーシアの実験音楽/電子音楽の起源(1992年)から現在までを完全網羅する世界初のコンピレーションをリリース! なんと48アーティストをフィーチャーしたCD4枚組!収録時間はなんと合計5時間にも及びます。さらに16ページのブックレットが2冊付いており、まさに歴史的資料性を考えても非常に有意義な作品となっております。
info:
Sub Rosa presents a 4CD anthology of experimental music (1992-2008) from Mainland China (Beijing, Shanghai, Chengdu, Guilin, Hangzhou, Shenzhen, Guangzhou, Fuzhou, Shanxi, Harbin), and from countries within the Chinese area of influence, such as Hong Kong, Taiwan, Singapore, and Malaysia. Featuring 48 diverse artists, this collection is designed as a journey through what is currently happening underground in these regions, tapping a seemingly endless wellspring of new, hidden talent. It also looks at the recent past and the key role of pioneers like Wang Fan, Dajuin Yao, and also Hong Kong-based Li Chin Sung aka Dickson Dee who, for almost two decades, has been spreading the word about experimental music in Mainland China. This album was curated by Dickson Dee on Guy Marc Hinant's invitation and includes an enlightening presentation on the short yet intense advent and history of the Chinese noise explosion, co-written by Zbigniew Karkowski and Yan Jun, The Sound of the Underground: An Overview of Experimental and Non-Academic Music in China. The Chinese Cultural Revolution (1966-1976) in one way or another eradicated most of the existing and emerging culture in China. At the same time as intellectuals were sent to rural labor camps, countless ancient buildings, antiques, books, paintings and various artifacts were destroyed. This period created an enormous intellectual, cultural and artistic vacuum in China -- destruction that in a sense, time is still healing. So the tradition of music culture and especially non-academic, purely experimental music, started from scratch sometime in the '80s. With the market economy introduced in that decade and further media developments in the '90s, there was an explosion in youth culture that had been held back for decades. Movements and music scenes that previously never reached China -- for instance, psychedelic music, punk or neo-Dada -- started to appear and expanded at an astonishing pace. The birth of these alternative rock and punk music scenes that later developed into even more experimental trends is a direct result of global capitalism and profound change in China's position within the World Order. Documented for the very first time, this release provides a complete panorama of the roots and buds of an ever-growing, promising experimental community in China and beyond, with nearly 5 hours of music.
Track Listing:
Disc 1
CD 1
01. Li Chin Sung aka Dickson Dee (Hong Kong) Somewhere (1994) 10:35
02. Zenlu (Shenzhen) Zen (2007) 09:22
03. Bai Tian (Chengdu) Wet (2007) 04:07
04. Cheewei (Singapore) Evening Has Arrived (2006) 08:04
05. Lim Giang (Taipei) "???" (2006) 08:43
06. Ang Song Ming aka Circadian (Singapore) Book Radio Mixer (2007) 03:04
07. Chung-Han Yao (Taipei) Untitled (2005) 05:04
08. Goh Lee Kwang (Malaysia) Frong Spraying (2007) 03:44
09. Wu Quan (Beijing) Weather Forest (2006) 05:06
10. Me:Mo (Beijing) pro.a (2007) 04:32
11. Wang Jong-Kuen (Taipei) Leaving (2006) 05:42
12. Dajuin Yao (Zuoying) Psycho Realm (2006) 05:09
Disc 2
CD 2
01. Sun Dawei (Beijing) Crawing State (2007) 04:16
02. Nara (Beijing) Dream A Little Dream (2007) 06:56
03. WFDD - Wang Fan + Dickson Dee (Beijing/Hong Kong) Sin (2007) 08:38
04. Stingrays (Singapore) 061020 (2006) 05:21
05. Dennis Wong aka Wong Chung-Fai (Hong Kong) para_dot (2006) 05:14
06. Fathmount aka Wilson Lee (Hong Kong) A Yoke Of Oxen (2007) 04:58
07. PNF (Hong Kong) Chi (1994) 03:13
08. Li Wen Tai aka Vince Li (Hong Kong) Eat (2007) 04:07
09. Shenggy (Beijing) Junggy's Decay (2007) 03:08
10. Ronez aka Zhou Pei (Guilin) Kikusui Back (2006) 04:58
11. Zhou Ri Sheng (Shanxi) Noise God (2006) 07:09
12. Fish (Taipei) Rusty Crane Keelong (2007) 04:46
Disc 3
CD 3
01. Torturing Nurse (Shanghai) Fugitive (2006) 14:47
02. Wang Fan (Beijing) Zero (2006) 06:30
03. Wuwei + Ulrich Morits (Shanghai/Berlin) Toy Ships (2003) 02:50
04. Xper. Xr. & The Orphic Orchestra (Hong Kong) Hickory Dickory Dock (1992) 01:03
05. Hong Qile (Fuzhou) j gmc (2007) 08:02 x
06. Ying Fan (Taipei) L2255 Mix (2007) 04:01
07. Dead J aka Shao Yanpeng (Beijing) Untitled (2007) 03:48
08. Z.S.L.O (Taipei) 422189 (1997) 03:04
09. Jedung Kying/Edging + Junky (Guangzhou/Shanghai) Dabao (2007) 03:03
10. Tats Lau (Hong Kong) Face The Antagonish (1992) 02:55
11. Li Jianhong (Hangzhou) Sod (2007) 05:31
12. Dino (Taipei) Untitled (2005) 06:46
Disc 4
CD 4
01. Wang Changcun (Harbin) Through The Tide Of Faces (2007) 04:48
02. D!O!D!O!D!/Li Jianhong + Huangjin (Hangzhou) A Dark Knife (2006) 05:42
03. Yan Jun (Beijing) It's More Than Enough (2006) 05:40
04. Loga (Fuzhou) 620 (2007) 09:21
05. Pei aka Liu Pei-Wen (Taipei) Bird Lady (2007) 07:44
06. Eric Lin aka Lin Chi-Wei (Taipei) Untitled (2007) 02:58
07. Alice Hui-Sheng Chang (Taiwan) There She Is, Standing And Walking On Her Own (2007) 03:54
08. Ching Shen Ching (Taiwan) V-Zone [Fuji Wang + Anes (electronics)] (1997) 07:22
09. Dancing Stone (Hong Kong) Two [Nelson Hui (flute) + Ling Lee (voice)] 02:14
10. Illuminated 6.6.6. (Hong Kong) Enjoy The Silence (1992) 06:07
11. Juno aka Timmy Lok (Hong Kong) Possibilities (1995) 03:22
12. Simon Ho (Hong Kong) 5 (2005) 06:54 listen
- Sub Rosa presents a 4CD anthology of experimental music (1992-2008) from Mainland China (Beijing, Shanghai, Chengdu, Guilin, Hangzhou, Shenzhen, Guangzhou, Fuzhou, Shanxi, Harbin), and from countries within the Chinese area of influence, such as Hong Kong, Taiwan, Singapore, and Malaysia.
- Featuring 48 diverse artists across a 4CD collection -- a massive sound experience of nearly 5 hours worth of music.
- Curated by Hong Kong sound artist, producer, composer, label founder, and curator, Li Chin Sung aka Dickson Dee.
- Includes a booklet featuring an essay on the history of the Chinese noise explosion, co-written by Zbigniew Karkowski and Yan Jun, The Sound of the Underground: An Overview of Experimental and Non-Academic Music in China.