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Silk Saw, Jardin d'Usure, Ultraphonist, Rob(u)rang, Dead Hollywood Starsで20年もの間､ｴﾚｸﾄﾛﾆｯｸ･ﾐｭｰｼﾞｯｸ･ｼｰﾝで活動を続けているﾍﾞﾃﾗﾝ･ｻｳﾝﾄﾞ･ｱｰﾃｨｽﾄgabriel severin｡このｱﾙﾊﾞﾑは､いろいろな詩人の詩を自ら朗読したﾎﾟｴﾄﾘｰ･ﾘｰﾃﾞｨﾝｸﾞをﾌｨｰﾁｬｰしたｴｸｽﾍﾟﾘﾒﾝﾀﾙ作品｡ｱﾙﾄｩｰﾙ･ﾗﾝﾎﾞｰやｱﾝﾘ･ﾐｼｮｰといった有名な詩人から､｢ｱｰﾙ･ﾌﾞﾘｭ｣（生の芸術）ならぬ｢ｱｰﾙ･ｴｸﾘ｣（生の文学）と呼ばれる最近の潮流にいるﾌﾗﾝｽの現代詩人の詩がﾋﾟｯｸｱｯﾌﾟされています｡
Spoken word release, in French. This is the first full-length solo release from Brussels-based sound-poet Gabriel S?verin on Sub Rosa. S?verin has been active in the field of electronic music for almost two decades (Silk Saw, Jardin d'Usure, Ultraphonist, Rob(u)rang, Dead Hollywood Stars), delving into diverse disciplines, exploring forgotten or obscure areas of the avant-garde. The artist himself contextualizes his literary and vocal-based work on Solliloques thusly: "The enemy's tongue/a friendly voice: there is a voice, the one we know, or so we think. Then, there is another one, the inner voice, timbre-less yet holding all timbres, the one talking when the first one does not. It does not always express itself, and with some people it might never do so, because it comes unrestrainedly and freely. How were the texts for this recording selected? Besides representatives from the ?crit brut current (art brut's 'literary' equivalent), such as Aimable Jayet, Sylvain Lecoq, and Jeanne Tripier, celebrities from the literary pantheon have found a place within this collection. To us, there is no doubt that some of the writings of Henri Michaux, Antonin Artaud, Samuel Beckett, Raymond Roussel, Arthur Rimbaud, Paul Claudel (his 'art po?tique'), Pierre Guyotat, Alfred Jarry, and many others, are level with a large number of ?crits bruts. They convey the same desire to transgress codes, a similar explosion of semantics, an identical questioning of social standards, the same trance, an inner voice expressing a similar gift in clairvoyance or even shamanism, and finally very close kinds of fancy, humor and freshness. A few more words about this recording: each text was performed several times in the studio. Microphones (between three and six) were placed in various locations: usually one just above the mouth and another very close to the throat, with other microphones placed at an increasing distance from me (in one recording, there is even a microphone in the yard -- you can hear church bells). Sometimes, there was a mike pointed at the ceiling (but what could have been coming from that direction, except the voices of the household). In occasionally favoring the further microphones, we get breath, but also a certain sound modification (or even a delay) and a quavering in the air."
Track Listing:
Disc 1
01. Je Suis Zodiaquismeuraux 04:01
02. Le Canalantibestiales 00:42 listen
03. Saint Jean De Dieu 24 Aout 1949 02:34
04. Harmonium Et Triangle Invers?/Aimable Jayet - 3 Avril la Sueur De Mon Front 49 -- Dimanche 04:09
05. Questionnaire 04:56
06. Dans La Compagnie Des Monstres 02:30
07. Le Feuilleton De La Qonestsans 03:59
08. Marmor 8-I-1951 01:50
09. IIe ?lucubration 01:36
10. Harmonica 01:24
11. Mercredi 21, Matin (from Ecuador: A Travel Journal) 03:10
12. Jeudi Matin (from Ecuador: A Travel Journal) 00:50
13. Mercredi 21, Matin (Bis) (from Ecuador: A Travel Journal) 03:09
14. La Crise De La Dimension (from Ecuador: A Travel Journal) 01:06
15. Je Ne Suis Pas Grand Proph?te (from Ecuador: A Travel Journal) 01:46
16. Souvenir (from Ecuador: A Travel Journal) 02:56
17. Quand Je Songe Qu'il y a Deux Ou Trois Anes (from Ecuador: A Travel Journal) 00:31
18. Harmonium, Calme 01:48
19. Democratie (from Illuminations) 00:49
20. Enfance IV (from Illuminations) 01:29
21. Enfance V (from Illuminations) 01:17
22. Harmonium, L'appel 01:58
23. Revelation Experimentale 02:02
24. Jeanne Tripier, Medium De Premiere Necessite 03:43
25. Je Ne Sais Pas Faire De Charme Devant Un Micro 00:56
26. Avant 01:01
27. Passion Slave 12:56
- This is the first full-length solo release from Brussels-based sound-poet/electronicist Gabriel S?verin on Sub Rosa.
